Featuring one of the fastest Nikon AF systems around, and build quality that will make a tank squirm in envy, Nikon D6 is also no slouch when it comes to video. This beast of a camera from Nikon’s stables could very well be the ultimate camera for photojournalists. Oh, and warranty is limited to 1 year, so do make sure you insure your gear. That weight, however, is a very small price to pay for what is, perhaps, the very best DSLR money can buy. This 3.37lbs monster is heavy, but as many a filmmaker will attest, the weight adds stability. When it comes to features, it’s hard to know where to stop with this beast. There’s even a 400,000-point RGB-IR sensor for calculating the perfect exposure. The ISO range can hit over 800,000 for when you want to shoot a black cat against coal in a pitch-black cellar. That ridiculously fast AF system is paired with a deep learning, AI-based AF system that intelligently tracks subjects, something that can happen in the light as low as -4 EV. The good stuff doesn’t end just here though. The same quality video can also be transmitted via HDMI to an external recorder. This recording also happens at 10-bit internally with 4:2:2 chroma subsampling, translating to more color information than you’ll know what to do with. The 2400 Mbps 5.5K 60fps RAW video, or 1000 Mbps DCI 4K video, and even the 470 Mbps FHD 120fps video bit-rates are unmatched by any other DSLR out there. The camera is replete with buttons and dials, and even includes duplicate buttons along the right edge to allow for easier shooting in portrait mode. Another monochrome LCD can be found up top. On the rear is a 3.2-inch, 2.1mn dot LCD, below which is a secondary monochrome LCD. Handling this massive flow of data is an all-new DIGIC X image processor.Īs befitting an imaging supercomputer, which is what this camera is, the 1DX Mark III is made of metal and built to last a lifetime and any form of abuse. The AF system is just as spectacular, offering 155 cross-type AF points (191 PD points) and nearly 4000 phase-detect pixels for ridiculously fast and accurate AF performance in any lighting conditions. 5.5K RAW requires a card that can handle over 2400 Mbps of sustained writes and even the 120fps FHD modes record at a whopping 470 Mbps. RAW 5.5K recording at 60fps is unheard of in this class of camera, and the video bit-rates involved beggar belief. It’s hard to speak of this camera is anything but superlatives. This camera is expensive, but it’s the only camera that shoots 5.5K footage (that’s a lot higher than 4K) at 60fps and a whopping 2400 Mbps bit rate. If there’s only one DSLR you want for slow-motion video, budget no bar, it has to be Canon’s flagship DX Mark III. If you do need audio, be prepared to record externally and sync the two sources later in your editor of choice. No audio: Anything shot at higher than 60fps tends to be recorded without audio.Shooting at such high speeds will require a lot more light than you’re used to shooting in. For a 120fps video, you’ll ideally need a 1/240 second shutter, and 1/480 for a 240fps video. More light: A higher frame-rate necessitates a higher shutter speed, and if you’re following the 180° shutter rule, your shutter speed will need to be twice that of your frame rate. Loss in quality: Shooting at higher frame-rates tends to result in a significant drop in quality because cameras tend to use higher compression when recording slo-mo.You’ll need to account for this when you’re shooting as the framing of your shot will change from shot to shot. Crop factor: High-frame rate video tends to crop in slightly, giving your video a zoomed-in look.For the average user, even one with deep pockets, it makes more sense to set a more realistic resolution target of FHD or 1920 x 1080. Few cameras can shoot higher than 4K at 30 fps, and only expensive, professional cameras manage 4K 60 or 120fps. Next up, settle on a resolution for your project. This will determine the type of slow-mo video you can shoot. the frame rate of your final output video. When it comes to slow-motion video, we first need to determine your project settings, i.e. I interviewed 43 professionals who use such cameras in diverse fields like films, tv commercials, sports and action before starting to make sure whatever I discuss here is relevant in the current market. DSLRs are also great for capturing video, and if you’re looking for one such camera with the express intention of capturing slo-mo video, you’ve come to the right place.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |